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interlude

I’ve begun pulling books off my bookshelf and re-reading them. Searching the pages for something lost. Unearthing old scraps that I once carried with me like treasures. Pages folded down, little reminders to remember, saying someday, read me again, remember this

In Douglas Coupland I found my calling, briefly, though I’ve since lost it. Generation X, perversely – a book given to me by a friend who had just read it for an English class and thought it pretty cool – before “Generation X” was the official title of our generation – lying in my bottom bunk one spring afternoon, something in one of the passages caught me – perhaps this one:

…looks with strangers became the unspoken question: ‘Are you the stranger who will rescue me?’ Starved for affection, terrified of abandonment, I began to wonder if sex was really an excuse to look deeply into another human being’s eyes

– and I thought, I could write stories like this, and I thought, I should write stories like this…to touch one person as Douglas Coupland and countless other writers have touched me would be a life worth living. And I changed my major from Psyc to English Lit.

But I sometimes regret that decision, because I don’t write stories anymore. And now I’m just lost, wondering what it is that I’m supposed to be doing with my life. That part of me that once wanted nothing more than connection with another human being has since given up. Or grown up. The connection seems false, the desire self-indulgent, misguided…a need simply to connect with oneself and an irrational fear of looking in the mirror.

And so I returned to Life After God for solace, written by an older Coupland for the jaded souls of thirty-somethings. When I read it in my early twenties I guess I didn’t really get it all. I get it now, though I also find myself critiquing his grammar, wondering where his editor was…I wish I wasn’t so pedantic…

And in Life After God, I found another one of those passages that I tucked away and forgot about, unwittingly living out these last few years:

When you’re young, you always feel that life hasn’t yet begun – that ‘life’ is always scheduled to begin next week, next month, next year, after the holidays – whenever. But then suddenly you’re old and the scheduled life didn’t arrive. You find yourself asking, ‘Well then, exactly what was it I was having – that interlude – the scrambly madness – all that time I had before?’

This morning I got a note from Mr. Haggarty, reminding me of one of the early blogs I wrote a long time ago. From parental heights he wrote to me of the importance of living in the present. He told me that the experience of 52 years of life lived reveals that the moment is the only truth.

I think he’s right. Though I haven’t been cherishing my moments much lately. I’ve been trapped in the waiting game. It’s almost here, it’ll be here any moment now, just around the corner: my life.

Waiting is a waste of time and I know it, but waiting is what’s occupying my living room. And when I look beneath the couch, under the cushions, behind the curtains, all I find are dust bunnies, frustration and lonliness. Life becomes tarnished the longer I spend staring at the empty bus I expect to take me to it.

So the paradox. What I want to know is how does one cherish the moment when most of their moments are spent in a beige cube? Is there something quintessentially beige or cube-like that I should be appreciating? If I were to turn and walk away to pursue moments that I could cherish, where would I go?

And right now I’m sick as a dog. Which always makes me wonder, why do they say that? Dogs never get sick… And with a wadded tissue stuck up my nose just wishing for the moment when I’ll be able to breath again, this isn’t a moment I can find much beauty in. Though I do remember a moment when I was sick that I did – at fourteen with my wisdom teeth impacted, I was home from school for two weeks while my mother came in each hour to try to feed me another teaspoon of applesauce, and it hurt so much to swallow that I had to be knocked out on painkillers…but I remember waking from time to time and feeling the oscillating fan blow cool air against my forehead, back and forth, back and forth, back and forth, before drifting off into sleep again…

Comments

I felt inspired to look at my own copy of Life after God... and spookily enough, it flipped open at exactly the passage you quoted...

oh heather, i do hope you're feeling better now. and i am so excited for your nashville trip. i will write soon.

Just wanted you to know I felt comforted reading this. I've been doing a lot of questioning, wondering what my life is, means, what it's for and whether it's going in the right direction. And what that direction is. Sometimes I think I just have to make peace with the "scrambly madness." And appreciate the preciousness of the present moment.

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December 2006

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31            

Sunday Morning


  • I.
    Complacencies of the peignoir, and late
    Coffee and oranges in a sunny chair,
    And the green freedom of a cockatoo
    Upon a rug mingle to dissipate
    The holy hush of ancient sacrifice.
    She dreams a little, and she feels the dark
    Encroachment of that old catastrophe,
    As a calm darkens among water-lights.
    The pungent oranges and bright, green wings
    Seem things in some procession of the dead,
    Winding across wide water, without sound.
    The day is like wide water, without sound.
    Stilled for the passing of her dreaming feet
    Over the seas, to silent Palestine,
    Dominion of the blood and sepulchre.

    II.
    Why should she give her bounty to the dead?
    What is divinity if it can come
    Only in silent shadows and in dreams?
    Shall she not find in comforts of the sun,
    In pungent fruit and bright green wings, or else
    In any balm or beauty of the earth,
    Things to be cherished like the thought of heaven?
    Divinity must live within herself:
    Passions of rain, or moods in falling snow;
    Grievings in loneliness, or unsubdued
    Elations when the forest blooms; gusty
    Emotions on wet roads on autumn nights;
    All pleasures and all pains, remembering
    The bough of summer and the winter branch.
    These are the measure destined for her soul.

    III.
    Jove in the clouds had his inhuman birth.
    No mother suckled him, no sweet land gave
    Large-mannered motions to his mythy mind.
    He moved among us, as a muttering king,
    Magnificent, would move among his hinds,
    Until our blood, commingling, virginal,
    With heaven, brought such requital to desire
    The very hinds discerned it, in a star.
    Shall our blood fail? Or shall it come to be
    The blood of paradise? And shall the earth
    Seem all of paradise that we shall know?
    The sky will be much friendlier then than now,
    A part of labor and a part of pain,
    And next in glory to enduring love,
    Not this dividing and indifferent blue.

    IV.
    She says, "I am content when wakened birds,
    Before they fly, test the reality
    Of misty fields, by their sweet questionings;
    But when the birds are gone, and their warm fields
    Return no more, where, then, is paradise?"
    There is not any haunt of prophecy,
    Nor any old chimera of the grave,
    Neither the golden underground, nor isle
    Melodious, where spirits gat them home,
    Nor visionary south, nor cloudy palm
    Remote on heaven's hill, that has endured
    As April's green endures; or will endure
    Like her remembrance of awakened birds,
    Or her desire for June and evening, tipped
    By the consummation of the swallow's wings.

    V.
    She says, "But in contentment I still feel
    The need of some imperishable bliss."
    Death is the mother of beauty; hence from her,
    Alone, shall come fulfillment to our dreams
    And our desires. Although she strews the leaves
    Of sure obliteration on our paths,
    The path sick sorrow took, the many paths
    Where triumph rang its brassy phrase, or love
    Whispered a little out of tenderness,
    She makes the willow shiver in the sun
    For maidens who were wont to sit and gaze
    Upon the grass, relinquished to their feet.
    She causes boys to pile new plums and pears
    On disregarded plate. The maidens taste
    And stray impassioned in the littering leaves.

    VI.
    Is there no change of death in paradise?
    Does ripe fruit never fall? Or do the boughs
    Hang always heavy in that perfect sky,
    Unchanging, yet so like our perishing earth,
    With rivers like our own that seek for seas
    They never find, the same receding shores
    That never touch with inarticulate pang?
    Why set pear upon those river-banks
    Or spice the shores with odors of the plum?
    Alas, that they should wear our colors there,
    The silken weavings of our afternoons,
    And pick the strings of our insipid lutes!
    Death is the mother of beauty, mystical,
    Within whose burning bosom we devise
    Our earthly mothers waiting, sleeplessly.

    VII.
    Supple and turbulent, a ring of men
    Shall chant in orgy on a summer morn
    Their boisterous devotion to the sun,
    Not as a god, but as a god might be,
    Naked among them, like a savage source.
    Their chant shall be a chant of paradise,
    Out of their blood, returning to the sky;
    And in their chant shall enter, voice by voice,
    The windy lake wherein their lord delights,
    The trees, like serafin, and echoing hills,
    That choir among themselves long afterward.
    They shall know well the heavenly fellowship
    Of men that perish and of summer morn.
    And whence they came and whither they shall go
    The dew upon their feel shall manifest.

    VIII.
    She hears, upon that water without sound,
    A voice that cries, "The tomb in Palestine
    Is not the porch of spirits lingering.
    It is the grave of Jesus, where he lay."
    We live in an old chaos of the sun,
    Or old dependency of day and night,
    Or island solitude, unsponsored, free,
    Of that wide water, inescapable.
    Deer walk upon our mountains, and the quail
    Whistle about us their spontaneous cries;
    Sweet berries ripen in the wilderness;
    And, in the isolation of the sky,
    At evening, casual flocks of pigeons make
    Ambiguous undulations as they sink,
    Downward to darkness, on extended wings.

    ~Wallace Stevens

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